Fence 32 began, of course, with a Bradford curry at the International Restaurant. Bradford is legendary for its curries, and the International is the (UK) Customers' Favourite Restaurant of the Year, as awarded by the English Curry Awards 2025.
The next day we spent time in the wonderful and newly-refurbished Bradford Arts Centre, meeting ourselves, with Fence members sharing informal presentations on their work as the group got to know each other. This was then followed by a Q&A about Fence network meetings and Fence projects, accompanied by a briefing paper, a version of which will also be more widely circulated prior to the forthcoming AGM on December 11th
In the evening we went to see a new opera, directed by our host Alex Chisholm
The Last Machine Breaker
Four lives. Two timelines. One question: Will technology be our salvation or our downfall?
In The Last Machine Breaker, Eva creates Adam, a humanoid AI capable of thought, emotion, and desire. But as Adam takes his first breath, another world unfolds before us: 1813, projected live on stage. There, Mary pleads with George Mellor, Luddite Leader and her lover, condemned to die in the morning: turn traitor to his cause and live; stay true and die.
Composed by Ben Crick (A Northern Score, Yorkshire Symphony Orchestra), written by Kamal Kaan (Bangla Bantams, Perfume), and directed by Alex Chisholm, The Last Machine Breaker is a bold live-digital hybrid opera. It fuses past and future, reality and technology, to ask urgent questions about humanity, rebellion, and the cost of progress.